Showing posts with label montana. Show all posts
Showing posts with label montana. Show all posts

The Bottom of the Sky Review

The Bottom of the Sky
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The Bottom of the Sky Review"You think a family means more than people in it? If one might kill the other one, which one would you save, Geno?"
William Pack's novel, "The Bottom of the Sky" poses this question early on... ...and answers it in such a way--two ways, actually--that I am lost for the proper word. Brilliant? No. That's on the dust cover. `page turner?' No, that's on the dust cover too. Timely? Well, yeah, but that's on the dust cover. Powerful? Poignant? Naw. People in the know already said that and were stunned.
Stunned. That's it. That's me at the end.
Stunned. Stunning. Stunning. The thesaurus has no suitable synonym for that.
I lost count of the places I wanted to savor again. On page 314, nearly two thirds of the way through, I started taking notes: "... his guts were processing a ball of nails."
You don't get this kind of writing just anywhere; hardly ever in a debut novel.
Page 320: "...I lose this, I become them." Levi's struggle in six words. Page 346: "I don't want my world to contract until I'm all that counts to me." His fear. He was on the way, too. Almost becoming all that counts to himself--much, much earlier, in the parts before I started taking notes.
In chapter 41, I wanted to jump through the book so I could personally strangle Dierdre, whom I started thinking of as `Devildre' because she was so... so... evil.
So read the book. You're a fool if you don't.
You'll be a fool not because you'll miss the word-choices, the rich, rich language few novelists dream of on their best day, even if they have a superb editor like Pack does. Not because you won't find your guts processing nails. Not because you won't confront yourself where you don't want to go in the darkest region of your fear. Or your hopes either, for that matter. And by the way, not because you won't find out what's really, really important in life: It's not the corner office.
Read this book for the education you'll get while you're doing all that.
You'll learn what caused the sub-prime mortgage crisis. Sound familiar? Recent? I never really understood it until I read "The Bottom of the Sky." William Pack explains it all in terms that will make you seethe even if you think 'sub-prime' is some kind of meat.
Bernie Madoff-like shenanigans on Wall Street: You'll come to understand the culture that makes such things possible in the financial world. The culprits are all here, in "The Bottom of the Sky."
"The Bottom of The Sky" sort of begins and ends in Two Dot, Montana. It's a real place. I've been there. It has a bank, and a hardware store, both vacant, both ghosts of something that never should have been. And a few die-hard residents who don't realize that the whole damn town is a ghost. Two Dot, Montana. Look it up on Yahoo Maps or Google Earth. It's a real place, all right. Real close to the Crazy Mountains--the bottom of the sky.
Young Levi grows up in Roundup, Montana, which is just down the road a piece from Two Dot. His mother collects dryer lint. If you don't shed a tear when you find out what she does with it, you have no heart. Don't hold your breath. You won't find out until the end, nearly.
Levi's the sort of kid who visualizes answers to complex mathematical problems without working it out on paper. As a young man he takes this prodigy--and a wife--with him to the financial world where he works his way up in the mythical firm of Bookman Stuart Securities on the sheer strength of his intellect. Those closest to Levi love him for his honesty and integrity, but some of his Ivy League coworker-superiors-competitors hate his success even though it's making them rich too. Some of them want to stab him in the back for it and take it all for themselves.
Levi brings common sense and honor to his job, but he pays a heavy price. You'll have to read the book to find out just how heavy it really is.
If you do read it, you'll be rewarded by a new understanding of human nature, of human greed, of human love. On top of all that you'll understand what's going on in the financial world at this very moment in time. You'll get an education on that.
William Pack should know. He was there. In Two Dot, and on Wall Street.
"Kill the firm, save the planet." That's one of the answers. There's another. Maybe you'll find a superlative for 'stunning' and write your own review.
Get this book and read it. Then wait until William Pack comes up with another. It will be a blockbuster, because everyone will know him by then.
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Myrna Loy: The Only Good Girl in Hollywood Review

Myrna Loy: The Only Good Girl in Hollywood
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Myrna Loy: The Only Good Girl in Hollywood ReviewOne wishes they could write as elegantly and as engagingly as Emily Leider does about the subject of her latest biography, Myrna Loy. Leider's impeccable research coupled with her elegant prose make for a thoroughly enjoyable read.
Myrna Loy is a much beloved star from Hollywood's golden age. Publicity at the time declared her to be a perfect wife on screen and it was assumed she was as much off screen as well. Leider informs us this was not the case. Leider chronicles Loy's life and film career with just the right touch. There is a nice balance between the biography and the chronicle of the film career. Unlike so many other biographies of the last few years, this is not padded out with recaps of film plots. Leider's prose, in so many ways, reflects or mimics the manner, the lightness, the quirkiness of Loy's own voice as she tosses off quips with William Powell. It's a pure delight to read.
Loy's life was very full and really devoid of scandal like so many other stars of the day. Perhaps this might make people overlook Loy as the subject of a biography. They should not, Leider's excellent detective work uncovers some secrets that Loy kept under wraps or only hinted at in Loy's own excellent autobiography Being and Becoming. Leider also fills us all in on Loy's interesting life as an activist. Myrna Loy was really much more, much deeper than Nora Charles and this book tells you why. I'm beyond grateful she portrayed Nora Charles as delightfully as she did, but I'm more grateful to read about and learn from her life off screen. Not a perfect wife, but quite a life. If you're a fan of Myrna Loy and her films, this is a must read.
I forgot to add a comment on the judicious use of photos in the book, most are shots I'd not seen. Some incredible portraits, like the Ted Allan portrait used on the cover.
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